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Hollis Frampton , (Mar 11, 1936–Mar 30, 1984)

#14 (360 "photos")

1958-1962
7 1/2 in. x 9 1/2 in. (19.05 cm x 24.13 cm)

Medium and Support: gelatin silver print on 4 ply window and 2-ply backing mounted with acetate corn

Credit Line: gift of Marion Faller, Addison Art Drive

Accession Number: 1990.34.14

Commentary

Frank Stella (Class of 1954), one of the most significant and influential American artists of the postwar period, began his journey as a painter six decades ago in the basement of the Addison Gallery of American Art. It was also at Andover that he first met Hollis Frampton (Class of 1954), who went on to become an equally distinguished photographer and filmmaker. Four years after graduation from Phillips Academy, the two met again in New York, where they briefly shared an apartment and rekindled what was to be a lifelong friendship. Frampton began his series of fifty-two black-and-white images, The Secret World of Frank Stella, in collaboration with Stella, who posed both in his studio and across the city.

In fact, 1958 is a milestone in the careers of both artists; for Frampton, it was the year he reconnected with Andover classmates Frank Stella and Carl Andre (Class of 1953) and settled in New York; for Stella, it was the year Leo Castelli first visited his Broadway studio and saw his now famous Black Paintings. The time period documented by Frampton’s series includes several other noteworthy moments in Stella’s career; the presentation of his Black Paintings—an example can be seen in #3 (28 painting Getty Tomb)—in the 1959-60 MoMA exhibition Sixteen Americans (Frampton also took Stella’s picture for the accompanying exhibition catalogue) was followed by the creation of two more series of stripe paintings, Aluminum and Copper, examples of which can be seen in #5 (112 hand through hole in aluminum ptg) and #45 (688 naked, ventral view) respectively.

In addition to photographing Stella and his paintings, Frampton also wrote about him; one such instance is the following passage from 12 Dialogues 1962-1963, a book he co-authored with Carl Andre: “Frank Stella is a Constructivist. He makes paintings by combining identical, discrete units. Those units are not stripes, but brush strokes. We have both watched Frank Stella paint a picture. He fills in a pattern with uniform elements. His stripe designs are the result of the shape and limitation of his primary unit.” Throughout 12 Dialogues, Frampton and Andre often refer to Stella to illustrate their intellectually rigorous analysis of various aesthetic issues pertaining to specific mediums or works of art. Indeed, Stella’s own intellectually rigorous approach to painting is, in great part, what elevated him to the pantheon of abstract art.

Kelley Tialiou
Charles H. Sawyer Curatorial Assistant | Librarian | Archivist

Exhibition List

This object was included in the following exhibitions:

American Abstraction from the Addison Gallery of American Art American Federation of Arts , 2/27/1993 - 12/4/1994

Related Parent(s) Click a record to view

The Secret World of Frank Stella
1990.34.1-52

Related Siblings(s) Click a record to view

#1 (122 head on windowsill)
1990.34.1

#10 (685 Penn)
1990.34.10

Image of #11 (432 Leonardo after Vitruvius)

#11 (432 Leonardo after Vitruvius)
1990.34.11

#12 (C-003 Street Ends)
1990.34.12

#13 (433 barber pole)
1990.34.13

#15 (683 collector)
1990.34.15

#16 (690 fireman)
1990.34.16

#17 (428 Ellis Island)
1990.34.17

#18 (496 ballet espagnol)
1990.34.18

#19 (087 statue of liberty)
1990.34.19

#2 (93 in girders @ Pike Slip)
1990.34.2

#20 (096 birthday party)
1990.34.20

#21 (361 snow and wall)
1990.34.21

#22 (017 Tomlinson Court Park)
1990.34.22

#23 (430 fenestration)
1990.34.23

#24 (507 bulldozer)
1990.34.24

#25 (429 Mantegna)
1990.34.25

#26 (485 Franz Kline)
1990.34.26

Image of #27 (504 rooftops & watertanks)

#27 (504 rooftops & watertanks)
1990.34.27

#28 (805 Adam & Eve)
1990.34.28

#29 (442 Lake City)
1990.34.29

#3 (28 painting Getty Tomb)
1990.34.3

#30 (1017 navel (retake))
1990.34.30

#31 (C-005 Peck Slip)
1990.34.31

#32 (480 asleep in girders)
1990.34.32

Image of #33 (440 yogi & rubberplant, 3/17/61)

#33 (440 yogi & rubberplant, 3/17/61)
1990.34.33

#34 (431 catacombs)
1990.34.34

#35 (082 Bellamy's car)
1990.34.35

#36 (779 with Rachel Stella)
1990.34.36

#37 (C-001 across fm Brooklyn)
1990.34.37

#38 (501 tea for 2)
1990.34.38

#39 (C-002 pallets)
1990.34.39

Image of #4 (358 groinwork @ City Hall Annex)

#4 (358 groinwork @ City Hall Annex)
1990.34.4

#40 (029 PU Gym)
1990.34.40

#41 (489 snake pit)
1990.34.41

#42 (163 Cedar Street Tavern)
1990.34.42

Image of #43 (479 swivel chair, water tower)

#43 (479 swivel chair, water tower)
1990.34.43

#44 (691 West Side Story)
1990.34.44

#45 (688 naked, ventral view)
1990.34.45

#46 (494 silhouette)
1990.34.46

#47 (178 rollpaper)
1990.34.47

#48 (505 valentine)
1990.34.48

#49 (694 pigeons)
1990.34.49

Image of #5 (112 hand through hole in aluminum ptg)

#5 (112 hand through hole in aluminum ptg)
1990.34.5

#50 (084 Mallary)
1990.34.50

#51 (359 stripe catafalque)
1990.34.51

#52 (444 Marat, 3/17/61)
1990.34.52

#52 (444 Marat, 3/17/61)
1990.34.53

#6 (490 ruined elevator)
1990.34.6

#7 (C-006 Buckminster)
1990.34.7

#8 (478 boiler half)
1990.34.8

#9 (100 formal 3/4 profile)
1990.34.9

Portfolio List Click a portfolio name to view all the objects in that portfolio

This object is a member of the following portfolios:

Artists: Hollis Frampton (PA '54)

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