Gallery Map

On View

Hayes Prize 2023: Reggie Burrows Hodges, Turning a Big Ship (through December 31, 2023):
Level 1, Rotunda, Exhibition Hall, and Gallery 109

Sea Change (through December 31, 2023): Level 1, Galleries 102–105

Free Association: New Acquisitions in Context (through February 11, 2024): Level 2, Galleries 201–209

Models of American Sailing Ships (permanently on view): Lower Level

 

Exhibitions on view

Permanently installed works of art

Paul Manship, Venus Anadyomene, 1927
Paul Manship, Venus Anadyomene, 1927. Marble, 28 5/8 x 22 inches. Gift of anonymous donor, fountain restoration funded by Mary and Keith Kauppila, 1930.291

 

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Dale Chihuly, Black Niijima Floats, 2010
Dale Chihuly, Black Niijima Floats, 2010. Glass. Purchased as the gift of R. Crosby Kemper (PA 1945) through the R. Crosby Kemper Foundation in memory of Harry C. Morgan (PA 1945), 2010.96a-j. Photo: Jeff Goldberg/Esto
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H. E. Boucher Mfg. Company, Flying Cloud, 1930
H. E. Boucher Mfg. Company, Flying Cloud, 1930. Ship model, 44 x 72 inches. Addison Gallery of American Art, Phillips Academy, Andover, MA, gift of George Jordan, 1931.S7
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Mabel Dwight, Queer Fish, 1936
Mabel Dwight, Queer Fish, 1936, lithograph on paper, 10 5/8 x 13 inches, gift of the Carnegie Corporation (American Artists Group), 1987.125

Sea Change (through 12/31/23) presents selections from the Addison’s rich collection of seascapes, maritime art, and model ships to explore the ocean and its shores as spaces of labor, leisure, passage, and danger.

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Reggie Burrows Hodges, Chromium Dip, 2022
Reggie Burrows Hodges, Chromium Dip, 2022, acrylic on linen, 116 1/2 x 240 inches, © Reggie Burrows Hodges. Courtesy the artist and Karma

Hayes Prize 2023: Reggie Burrows Hodges, Turning a Big Ship (through December 31, 2023) presents a new body of work by Reggie Burrows Hodges, the inaugural recipient of the Addison’s Bartlett H. Hayes, Jr. Prize. In these compositions, Hodges contemplates the notion of turning a big ship—of marshalling collective will and labor to resist a powerful current.

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Reggie Burrows Hodges, Sloop: Eldaz Crossing, 2022
Reggie Burrows Hodges, Sloop: Eldaz Crossing, 2022, acrylic and pastel on canvas, 108 7/8 x 131 inches, © Reggie Burrows Hodges. Courtesy the artist and Karma

Hayes Prize 2023: Reggie Burrows Hodges, Turning a Big Ship (through December 31, 2023) presents a new body of work by Reggie Burrows Hodges, the inaugural recipient of the Addison’s Bartlett H. Hayes, Jr. Prize. In these compositions, Hodges contemplates the notion of turning a big ship—of marshalling collective will and labor to resist a powerful current.

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Stuart Davis, Red Cart, 1932
Stuart Davis, Red Cart, 1932, oil on canvas, 32 1/4 x 50 inches, museum purchase, 1946.15

Sea Change (through 12/31/23) presents selections from the Addison’s rich collection of seascapes, maritime art, and model ships to explore the ocean and its shores as spaces of labor, leisure, passage, and peril.

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Winslow Homer, Eight Bells, 1886
Winslow Homer, Eight Bells, 1886. Oil on canvas, 25 3/16 x 30 3/16 inches. Gift of anonymous donor, 1930.379

Sea Change (through 12/31/23) presents selections from the Addison’s rich collection of seascapes, maritime art, and model ships to explore the ocean and its shores as spaces of labor, leisure, passage, and peril.

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Sol LeWitt, Wall Drawing #713: On a vaulted ceiling, 20 irregular five-sided figures, January 1993
Sol LeWitt, Wall Drawing #713: On a vaulted ceiling, 20 irregular five-sided figures, January 1993. Color ink wash and India ink. Gift of the artist, 1993.49. Image © 2014 The LeWitt Estate / Artists Rights Society (ARS), NY. Reproduction, including downloading of Sol LeWitt works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), NY.
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Sue McNally, Maroon Bells, CO, 2014
Sue McNally, Maroon Bells, CO, 2014, oil on canvas, 90 x 114 inches, museum purchase, 2022.81

Free Association: New Acquisitions in Context (through 2/11/24; entire second level) demonstrates how recently acquired works complement the museum’s extant holdings and help us to see the collection in novel ways, drawing out new narratives, juxtapositions, and conversations across time and media.

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Patty Chang, Losing Ground, 2000
Patty Chang, Losing Ground, 2000, SD video, museum purchase, 2022.56

Free Association: New Acquisitions in Context (through 2/11/24; entire second level) demonstrates how recently acquired works complement the museum’s extant holdings and help us to see the collection in novel ways, drawing out new narratives, juxtapositions, and conversations across time and media.

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L. A. Pritchard, Model by L.A. Pritchard after plans by R. C. Anderson, Mayflower, c. 1936
L. A. Pritchard, Model by L.A. Pritchard after plans by R. C. Anderson, Mayflower, c. 1936

The Addison Gallery’s famed model ship collection, permanently installed in the building’s lower level, consisted originally of 24 works commissioned by the museum’s founder, Thomas Cochran, to document four centuries of American history. 

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