| Title | Artist | Medium & Support | Creation Date |
| I Cannot | Salmon, Keris | Digital print with letterpress on paper | 2016 |
| Remain | Salmon, Keris | Digital print with letterpress on paper | 2016 |
| Leave 'em Rest | Salmon, Keris | Digital print with letterpress on paper | 2016 |
| Here I Libs, Here I Dies | Salmon, Keris | Digital print with letterpress on paper | 2016 |
| We Have Made These Lands What They Are: The Architecture of Slavery | Salmon, Keris | Eighteen digital prints with letterpress on paper | 2016 |
| Drive-Thru | Smith, Jaune Quick-to-See | Acrylic on canvas | 2002 |
| Unraveled Persistence | Clark, Sonya | Deconstructed nylon Confederate battle flag, threads, and flag pole | 2016 |
| Fear Multiples | Type A | Cast concrete and polymer | 2020 |
| A Scene from Anthropocene No. 2 | Chung, Andrea | Cyanotypes on 140 lb. watercolor paper | 2016 |
| VEX XVI | Chung, Andrea | Collage, ink and beads on paper handmade from traditional birthing cloth | 2020 |
| Red Man | Reichek, Elaine | Knitted wool yarn and gelatin silver print | 1986-1987 |
| The Picasso/Braque Series | Austin, Sarah G. | Four collages (reproductions, wood, Plexiglas, paint) | 1978 |
| Never Forget | Galanin, Nicholas | C-print mounted on Dibond | 2021 |
| Artist and Model | O'Reilly, John B. | Halftone and Polaroid montage | 9/11/1984 |
| Amber Morningstar | Romero, Cara | Archival pigment photograph | 2019 |
| Tracking (12) | Whitman, Heidi | Ink, gouache, acrylic, canvas, string, and cast shadows | 2021 |
| Fruity | Hayden, Hugh | Rattan, Gatorade | 2021 |
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