In 1955, two photographers received fellowships from the Guggenheim Foundation for U.S. survey projects: Robert Frank and Todd Webb. Frank’s cross-country trip by car would
The South has occupied an uneasy place in the history of photography as both an example of regional exceptionalism and as the crucible from which
Contrary to entrenched presumptions that Manhattan became the primary locus of art after World War II, Americans in Paris: Artists Working in Postwar France, 1946–1962
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