Parasol Press: Breaking New Ground is the first exhibition to survey Parasol Press’s remarkable publications from 1970–2014, showcasing radical innovations that pushed the boundaries of
Both Sides of the Line: Carmen Herrera & Leon Polk Smith brings together the groundbreaking work of Carmen Herrera and Leon Polk Smith—neighbors, friends, and pioneers
This is the third exhibition in a series highlighting key strengths of the Addison’s renowned collection of American art from the 17th century to the
Featuring works drawn entirely from the Addison’s permanent collection, Little Boxes invites viewers into a nuanced exploration of the square and the rectangle, two essential
What is home? How does it shape you? How do you shape it? Artists have long explored these difficult questions, capturing the idea of home
Best known as a sculptor, Martin Puryear (b. 1941) is celebrated for his sensitivity to materials and his inventive merging of minimalist logic with traditional
Please note: Eight Bells by Winslow Homer is currently not on view at the Addison. The painting will be included in Winslow Homer: Painter, Etcher
“Photography is a language,” explains Tommy Kha. Other Things Uttered, his first museum solo exhibition, introduces viewers to the distinctive vocabulary and grammar of his
This exhibition explores the improbable story and prodigious output of the Florida Highwaymen, an amorphous group of primarily self-taught African American artists who forged often
What does it mean to “capture” the landscape? To convey its essence? To harness its power and reap its bounty? To possess it? To make
Exhibition | Residency | Publication | Acquisition
