Edward Hopper, Manhattan Bridge Loop, 1928

America in the Making

Sep. 8, 2026 to
Jan. 31, 2027
With this exhibition, the Addison joins museums across the country in marking the 250th anniversary of the Declaration of Independence. Filling the entire building and including many of our “greatest hits” from the 18th century to the present, this exhibition reveals the extraordinary caliber of the Addison’s collection and offers insight into the ways art has not only reflected but also shaped, reinforced, and challenged an American society and culture that is forever “in the making.”

Art serves as a vital mirror of society—a visual record of the historical, political, and social transformations that shape a culture’s values, struggles, and identity. From the colonial period to the present, American art has registered these shifts, revealing how artists respond to and reinterpret the conditions of their time. From early portraits that record new social hierarchies and a fledgling national identity, to 19th-century landscape paintings that celebrate the sublimity of nature while advancing the doctrines of Manifest Destiny and American exceptionalism, the art of the United States has long expressed the ambition —and contradictions—of a nation in formation. As the nation modernized, artists took on the complexities of 20th-century life, turning away from the visible world by mid-century, and embracing abstraction, the subconscious, and a restless new spirit of individualism and dissent. Today, reflecting an increasingly multicultural society, art continues to respond dynamically in real time to a rapidly changing world and to grapple with the urgent concerns of our present moment.

With this exhibition, the Addison marks the 250th anniversary of the Declaration of Independence. We have taken this opportunity to do something unusual for this museum, devoting the entire building to a chronological installation of works from our permanent collection. The story of American art told through our collection is neither comprehensive nor objective. Like the artworks it contains, the Addison’s collection can also be read as a window into the conditions, values, and assumptions under which it has been assembled and continues to grow. Its strengths and omissions reflect the circumstances of its formation, including individual taste, institutional priorities, and broader social and cultural forces. In this sense, the exhibition also offers a portrait of a collection in formation, one that, like America itself, remains continually “in the making.”

This exhibition is generously supported by the Sidney R. Knafel Fund and the Bernard and Louise Palitz Exhibitions Fund. Additional support is provided by Jana Paley (PA ’81).

Addison Artist Council logo

Bartlett H. Hayes Prize Recipients

2023:

Reggie Burrows Hodges

Exhibition | Residency | Publication | Acquisition

2027:

Cynthia Talmadge

Exhibition | Residency | Publication | Acquisition