Filed Under: Category: 3D Virtual Exhibition Tours

In Focus: Winslow Homer: Watching, Waiting is focused on maritime works by Winslow Homer and examines the Boston-born artist’s persistent engagement with and interrogation of the

Martin Puryear: In Print (January 31–July 31) is focused on prints by Puryear, who is best known as a sculptor. Using printmaking to consider variations

Welcome Home asks what is home? How does it shape you? How do you shape it? Artists have long explored these difficult questions, capturing the idea

Playing to Our Strengths: Highlights from the Permanent Collection (January 31–July 31, 2026) unfolds over four galleries to explore how American artists of the late

Little Boxes (February 7–July 31, 2026) features works from the Addison’s collection and invites viewers into a nuanced exploration of the square and the rectangle,

Both Sides of the Line: Carmen Herrera & Leon Polk Smith (February 21–July 31, 2026), organized by the University of Michigan Museum of Art, explores

Parasol Press: Breaking New Ground (January 24–July 31, 2026) is the first exhibition to survey the print publisher’s remarkable publications from 1970–2014. This exhibition showcases

Playing to Our Strengths: Highlights from the Permanent Collection (September 2, 2025–July 31, 2026) explores American art in two sections: the “ideal,” bringing together American Impressionist

In Focus: John Singer Sargent (September 2–December 31, 2025) presents nine works from the Addison’s collection by the famed American expatriate painter John Singer Sargent

Captive Lands (September 9, 2025–January 18, 2026) is organized in dialogue with Making Their Way: The Florida Highwaymen Painters and consists of works drawn from the

Family Portrait (September 2, 2025–January 4, 2026) brings together works from the Addison’s collection and reveals how artists have engaged the theme of family over

Making Their Way: The Florida Highwaymen Painters (September 9, 2025–January 4, 2026) presents the work of the Florida Highwaymen, a loosely affiliated group of 26

Hayes Prize 2025: Tommy Kha, Other Things Uttered (September 2, 2025–January 25, 2026) presents work by Tommy Kha, the second recipient of the Addison’s Bartlett

June Leaf: Shooting from the Heart (March 15–July 31, 2025) is the most comprehensive survey of Leaf’s art in more than three decades. With more

On and Off Stage: Performance and Persona (February 22–July 31, 2025) features works from the Addison’s collection, to explore the intersection of the performing and

Playing to Our Strengths: Highlights from the Permanent Collection (January 29–July 31, 2025) explores American art in three sections: masterworks by Thomas Eakins and Winslow

Dynamic Duos (February 5–July 31, 2025) features works from the Addison’s extensive photography collection that considers the dynamics of two beings sharing space, whether they

The Art of Opposition (March 4–July 31, 2025) was curated by Phillips Academy students enrolled in Art 400 Visual Culture: Curating the Addison Collection. Working