
3D VIRTUAL TOUR: June Leaf: Shooting from the Heart
June Leaf: Shooting from the Heart (March 15–July 31, 2025) is the most comprehensive survey of Leaf’s art in more than three decades. With more
June Leaf: Shooting from the Heart (March 15–July 31, 2025) is the most comprehensive survey of Leaf’s art in more than three decades. With more
On and Off Stage: Performance and Persona (February 22–July 31, 2025) features works from the Addison’s collection, to explore the intersection of the performing and
Playing to Our Strengths: Highlights from the Permanent Collection (January 29–July 31, 2025) explores American art in three sections: masterworks by Thomas Eakins and Winslow
Dynamic Duos (February 5–July 31, 2025) features works from the Addison’s extensive photography collection that considers the dynamics of two beings sharing space, whether they
The Art of Opposition (March 4–July 31, 2025) was curated by Phillips Academy students enrolled in Art 400 Visual Culture: Curating the Addison Collection. Working
Americans in Paris: Artists Working in Postwar France, 1946–1962 (September 3, 2024—January 5, 2025) delves into the various circles of American artists who made France
Kay WalkingStick / Hudson River School (September 14, 2024—February 2, 2025) celebrates a shared reverence for nature while engaging crucial questions about land dispossession and
Figure/Ground, (September 14, 2024—March 2, 2025) featuring works from the museum’s collection, examines the interconnection between individuals and their environments, offering a multifaceted view of
Finding American Form: 20th-Century Selections from the Permanent Collection (March 2‐July 31, 2024) examines how American artists in the 20th century mined the space between
A Long Arc: Photography and the American South since 1845 (March 2–July 31, 2024), organized by the High Museum of Art, Atlanta, presents over 200
Robert Frank and Todd Webb: Across America, 1955 (February 11–July 31, 2024), organized by the Museum of Fine Arts, Houston, brings together the photographs that
Laying the Foundation: Exploring the Nucleus of the Addison’s Collection (February 11–July 31, 2024) explores the eclectic mix of works that comprise the Addison’s founding
Free Association: New Acquisitions in Context (September 1, 2023–February 11, 2024)Occupying the entirety of the Addison’s second level, this exhibition demonstrates how recently acquired works
Sea Change (September 1–December 31, 2023)Conceived as a complement to Reggie Burrows Hodges’ new work, this show brings together selections from the Addison’s rich collection
Hayes Prize 2023: Reggie Burrows Hodges, Turning a Big Ship (September 1–December 31, 2023)This exhibition presents new work by Reggie Burrows Hodges, the inaugural recipient
Alison Elizabeth Taylor: The Sum of It (February 18–July 30, 2023) Consisting of approximately 40 large-scale single panel works as well as a room-sized installation,
Women and Abstraction: 1741–Now (January 28–July 30, 2023) Comprised almost entirely of works from the collection, this exhibition explores how women have deployed the visual
Harry Benson: Four Stories (September 1, 2022–January 29, 2023)This exhibition focused on four powerful photo stories from the 1960s by Harry Benson: the Berlin Wall,
Rosamond Purcell: Nature Stands Aside (September 1–December 31, 2022) This exhibition, Purcell’s first retrospective, reflected the breadth of the artist’s career from the late 1960s
Past Is Prologue: History in Contemporary Art (April 16–July 31, 2022) Whether photographing historic sites, adopting imagery from art history and print media, or citing
Open to the public and free of charge.
Tuesday-Saturday 10–5, Sunday 1–5
Closed Mondays, national holidays,
December 24, and the month of August.
Exhibition | Residency | Publication | Acquisition