Playing to Our Strengths: Highlights from the Permanent Collection (September 2, 2025–July 31, 2026) explores American art in two sections: the “ideal,” bringing together American Impressionist
In Focus: John Singer Sargent (September 2–December 31, 2025) presents nine works from the Addison’s collection by the famed American expatriate painter John Singer Sargent
Captive Lands (September 9, 2025–January 18, 2026) is organized in dialogue with Making Their Way: The Florida Highwaymen Painters and consists of works drawn from the
Family Portrait (September 2, 2025–January 4, 2026) brings together works from the Addison’s collection and reveals how artists have engaged the theme of family over
Making Their Way: The Florida Highwaymen Painters (September 9, 2025–January 4, 2026) presents the work of the Florida Highwaymen, a loosely affiliated group of 26
Hayes Prize 2025: Tommy Kha, Other Things Uttered (September 2, 2025–January 25, 2026) presents work by Tommy Kha, the second recipient of the Addison’s Bartlett
For anyone unable to visit in person, or who might like to see a preview before visiting, or wants to take another look at the
June Leaf: Shooting from the Heart (March 15–July 31, 2025) is the most comprehensive survey of Leaf’s art in more than three decades. With more
On and Off Stage: Performance and Persona (February 22–July 31, 2025) features works from the Addison’s collection, to explore the intersection of the performing and
Playing to Our Strengths: Highlights from the Permanent Collection (January 29–July 31, 2025) explores American art in three sections: masterworks by Thomas Eakins and Winslow
Dynamic Duos (February 5–July 31, 2025) features works from the Addison’s extensive photography collection that considers the dynamics of two beings sharing space, whether they
The Art of Opposition (March 4–July 31, 2025) was curated by Phillips Academy students enrolled in Art 400 Visual Culture: Curating the Addison Collection. Working
Americans in Paris: Artists Working in Postwar France, 1946–1962 (September 3, 2024—January 5, 2025) delves into the various circles of American artists who made France
Kay WalkingStick / Hudson River School (September 14, 2024—February 2, 2025) celebrates a shared reverence for nature while engaging crucial questions about land dispossession and
Figure/Ground, (September 14, 2024—March 2, 2025) featuring works from the museum’s collection, examines the interconnection between individuals and their environments, offering a multifaceted view of
Finding American Form: 20th-Century Selections from the Permanent Collection (March 2‐July 31, 2024) examines how American artists in the 20th century mined the space between
A Long Arc: Photography and the American South since 1845 (March 2–July 31, 2024), organized by the High Museum of Art, Atlanta, presents over 200
Robert Frank and Todd Webb: Across America, 1955 (February 11–July 31, 2024), organized by the Museum of Fine Arts, Houston, brings together the photographs that
Laying the Foundation: Exploring the Nucleus of the Addison’s Collection (February 11–July 31, 2024) explores the eclectic mix of works that comprise the Addison’s founding
Free Association: New Acquisitions in Context (September 1, 2023–February 11, 2024)Occupying the entirety of the Addison’s second level, this exhibition demonstrates how recently acquired works
Exhibition | Residency | Publication | Acquisition
