Alfred Maurer: At the Vanguard of Modernism
April 25 - July 31, 2015
Considered the most accomplished American artist to adopt Fauvism, Alfred Maurer (1868–1932) tirelessly explored the boundaries of artistic expression throughout his career. From his cross-fertilization of Fauvism between French and American circles to his channeling of abstraction in his late radical works, Maurer proved to be a formidable creative force in expanding the potential for artistic expression in American art.
Consisting of over 70 master works, Alfred Maurer: At the Vanguard of Modernism, a major traveling exhibition organized by the Addison Gallery, assesses Maurer’s singular accomplishments and contributions to American painting in the early decades of the twentieth century. Tracing themes that run throughout the full scope of his work, the exhibition illustrates the invaluable contributions this progressive artist made to the development of modernism in America.
While Maurer is often characterized as a painter of divergent, seemingly contradictory aesthetics, careful study of his oeuvre reveals steady interest in thematic ideas as well as formal experimentation with color, form, and abstraction, all of which will be revealed in this significant exhibition.
Co-curated by independent scholar Dr. Stacey Epstein and Addison curator Susan Faxon, the exhibition will travel to Crystal Bridges Museum of American Art in the fall of 2015.
Generous support for this exhibition and publication was provided by The Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, Inc., Wyeth Foundation for American Art, The Maurer Family Foundation, Mary L. Craven, The Karen and Kevin Kennedy Foundation, the Keamy Family Foundation in memory of Yvonne and Donald Keamy, and the Sidney R. Knafel Fund.